January 22, 1926. Washington, D.C. “Arcade Hockey Club.” And if roller hockey isn’t your cup of tea, we also have Billiards Dancing Bowling.
Washington, D.C., circa 1919. “Sennett girls.” Producer Mack Sennett’s comedy reels featured a bevy of “bathing beauties,” among them Marvel Rea, seen here in the harlequin costume. National Photo Company.
1962, Seattle, Washington, USA – A little girl listens in on The Hearing Exhibition at the Seattle World’s Fair.
Space Pilots. Minneapolis, Minnesota: A small boy’s dream of piloting a rocket ship through outer space came as nearly true as modern science could make it for plastic-helmeted Johnny Bower (left), and Neil Smith, both seven years old. The youngsters got their big break when Minneapolis-Honeywell’s Aeronautical company invited them, among other young sons of technical employees to visit the plant and see what their dads were doing. “Pilots” Bower and Smith are manipulating special computing equipment developed to duplicate characteristics of supersonic craft and the flight conditions they might be expected to encounter.
Host Bud Collyer brings laughter and smiles to the faces of panelists Polly Bergen, Ralph Bellamy and Kitty Carlisle while Hy Gardner remains only mildly amused.
Nazis burn the library of Magnus Hirschfeld’s Institute for Sexual Science in Berlin, 1933. In doing so countless texts and documentation of early 20th century LGBTQ* history disappears. Remember, it’s never “just some books.”
Nun using card catalogue in the New York Public Library, 1944. Alfred Eisenstaedt.
So many great things to post about today. Shorpy has more great early 20th-century images of DC:
Washington, D.C., circa 1919. "Red Cross ambulances at Washington Monument." Harris & Ewing Collection glass negative.
September 1935. Washington, D.C. "Front of Negro home near Capitol. Interiors of these homes vary little. A chair or two and a table, a bed and perhaps an extra mattress on the floor cares for six to ten people." 35mm nitrate negative by Carl Mydans for the Farm Security Administration.
Fuck Yeah Women’s History has an anti-suffrage cartoon from 1915, the mug shot of Julia Aaron, one of the Freedom Riders, and the Motorcycle Queen of Miami, Bessie Stringfield.
An old anti-suffragist cartoon shows a white man being thrown out of a brick building onto the street. The brick building shows three white women looking out the window at the man being thrown out onto the street, and they seem pretty pleased with the situation. The man is well dressed in a top hat and coat and looks incensed at the way he has been treated as he looks back at the building and the women in the doorway that are looking happy with themselves. These women are wearing votes for women buttons and are carrying women’s rights pamphlets. On the buildings are signs that say “Man? The missing link”, “No men admitted”, “Home for lost stolen or strayed suffragettes”, “man disgraces the animal world” and “down with the men”. At the bottom of the image are red words that read “girls I didn’t marry”.
Julia Aaron, 1961. Julia Aaron didn’t just participate in the Freedom Rides, her family also housed some of the many people who arrived in New Orleans in order to integrate inter-state buses and trains.
“Known as the Motorcycle Queen of Miami, Bessie Stringfield started riding when she was 16. She was the first African-American woman to travel cross-country solo, and she did it at age 19 in 1929, riding a 1928 Indian Scout. Bessie traveled through all of the lower 48 states during the ’30s and ’40s at a time when the country was rife with prejudice and hatred. She later rode in Europe, Brazil, and Haiti and during World War II she served as one of the few motorcycle despatch riders for the United States military.”
Black Vintage has a beautiful photograph by Dorothea Lange from 1945:
And Vivat Vintage serves up some cool advertisements:
It’s so exciting to own a new President refrigerator. 1954.
It’s new, it’s practical, it’s pegboard! 1954
But the winner of the “Dang, that is awesome” award for the week goes to the Library of Congress for their National Jukebox project.
The goal of the Jukebox is to present to the widest audience possible early commercial sound recordings, offering a broad range of historical and cultural documents as a contribution to education and lifelong learning.
The Jukebox contains over 10,000 recordings between the years 1901 and 1925. You can browse the collection by genre, artist, date, and even target audience, or you can listen to one of their playlists. They even feature a Day by Day search function that allows you to find songs that were recorded on a specific date. On my birthday in 1904, this version of Auld Lang Syne was recorded:
The materials in this on-line archival collection document various aspects of the Women’s Liberation Movement in the United States, and focus specifically on the radical origins of this movement during the late 1960s and early 1970s. Items range from radical theoretical writings to humourous plays to the minutes of an actual grassroots group.
Check out the sweet documents available, including this one below:
United Women's Contingent: March on Washington Against the War, April 24. (flyer)
Lesbianism is a threat to the ideological, political, personal, and economic basis of male supremacy. The Lesbian threatens the ideology of male supremacy by destroying the lie about female inferiority, weakness, passivity, and by denying women’s ‘innate’ need for men (even for pro-creation if the science of cloning is developed).
The Lesbian’s independence and refusal to support one man undermines the personal power that men exercise over women. Our rejection of heterosexual sex challenges male domination in its most individual and common form. We offer all women something better than submission to personal oppression. We offer the beginning of the end of collective and individual male supremacy. Since men of all races and classes depend on female support and submission for practical tasks and feeling superior, our refusal to submit will force some to examine their sexist behavior, to break down their own destructive privileges over other humans, and to fight against those privileges in other men. They will have to build new selves that do not depend on oppressing women and learn to live in social structures that do not give them power over anyone.
Heterosexuality separates women from each other; it makes women define themselves through men; it forces women to compete against each other for men and the privilege which comes through men and their social standing. Heterosexual society offers women a few privileges as compensations if they give up their freedom: for example, mothers are respected and ‘honored’, wives or lovers are socially accepted and given some econoimc and emotional security , a woman gets physical protection on the street when she stays with her man, etc. The privileges give heterosexual women a personal and political stake in maintaining the status quo.
I ran across a number of these issues when I was processing Joan Biren’s papers at the Sophia Smith Collection, and they were great. Claire Bond Potter over at Tenured Radical and Historian at Wesleyan University posted about the publication and reminded me of how awesome it was.
